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DAVID BOWIE
For David Bowie in 1983, art-rock and clown suits wer
As a new century dawned, DAVID BOWIE set about changing everything – again – and in doing so, established working practices that continued for the rest of his career. As Heathen arrives as part of a sumptuous boxset collecting Bowie’s final studio albums, TONY VISCONTI tells Uncut the whole story of a legend’s creative rebirth, from The Rugrats Movie to 9/11, to The Next Day and… beyond. “David saw the future…”
Over seemingly insurmountable obstacles, OZZY OSBOURNE dragged himself to the pinnacle of rock'n'roll. Haunted by rejection, raddled with substances, but also full of love, fun and a talent he couldn't describe or always understand, his victory was one for every underdog, everywhere. SYLVIE SIMMONS watched it all unfold...
WE WERE THE first band of our generation that started to grow up,” Billy Corgan says, reflecting on the making of the Smashing Pumpkins’ 1995 grand opus, Mellon Collie and the Infinite Sadness. “The b
Forty years ago this September, Kate Bush released Hounds Of Love . Her fifth studio record reinstated her position as one of the most innovative and creative artists of all time and yielded the (future) chart-topper Running Up That Hill . But its creation wasn’t always smooth. Here’s the story behind one of Bush’s best-loved albums.
At the start of the 1990s, Nick Heyward was at his lowest ebb. His third solo album, I Love You Avenue, had failed to chart in 1988. Warner unsurprisingly let him go. So had Heyward’s manager and his
From a home in England’s West Midlands, to Knebworth and Live Aid with Led Zep and back, via fame, fortune, tragedy and musical resurrection – ROBERT PLANT ’ s come full circle. A new album with local heroes Saving Grace exemplifies his hard rock apostasy, the reason he’d rather worship Nora Brown than hang with Axl Rose. And if all else fails? “I’ll just be an Elvis impersonator!” he tells KEITH CAMERON .