Hawkwind

From Ken Kesey’s Acid Tests to extended residencies at Las Vegas’s hi-tech phenomenon the Sphere – and, soon, the storied stage of the Royal Albert Hall – it’s been a long, strange trip for BOBBY WEIR . But the guardian of the GRATEFUL DEAD ’ s legacy still has further to go. “Am I still on the bus now? Yeah, I am,” he tells Nick Hasted

With his trusty Fender Strat in hand and at a young 64, Bob Mould is an evergreen icon of alt and indie guitar – and he’s back with a new solo album

The electro super-producer on Bob, Bruce, Beastie Boys’ food fights and upsetting Fleetwood Mac

THE UNCUT GUIDE TO THIS MONTH’S KEY RELEASES

Deep inside his London studio, BRIAN ENO is busy bringing “playful” experimental strategies to the studio graft – as his new collaborative albums with conceptual artist Beatie Wolfe attest. But, over pastries, an uncharacteristically digressive Eno finds time to discuss Scott Walker’s voice, communal living with Harmonia, mid-‘60s ‘happenings’ and his deep enthusiasm to create anew. “I’m sorry to be so shamelessly enthusiastic about my work,” he tells Tom Pinnock

The Who bow out? Roger Daltrey and Pete Townshend call a press conference to announce their final US tour