To live and die in la

WITHOUT A SINGLE doubt, the most familiar character in heavy metal, the late Ozzy Osbourne, was presented to the public as a madman, a maniac and a court jester whose life was a constant ricochet from

The grand parade of lifeless packaging? Far from it, as this much-delayed blockbuster reissue of one of prog’s most fascinating and frustrating albums finally proves.

IF ONLY HALF the rumors about him are true, Ozzy Osbourne should be dead. Yet, after 21 years of twisted public behavior, the man who brought you songs like “Paranoid,” “Bark at the Moon” and “Childre

MUSIC FANS KNEW Ozzy Osbourne as the Prince of Darkness or maybe even the Messiah of Metal, but among the hard-rock guitar community, he’ll always be remembered as the Godfather of Heavy Guitar. Thank

Their infamy as leading shock metallers of the 1980s belies a backcat chockful of serious classic rock-influenced songwriting.

D avid Bowie’s first album of the 1980s was a milestone record for many reasons. It was his last to be co-produced with collaborator Tony Visconti for more than 20 years, his swansong for RCA and for