WELCOME BACK
The British guitarist on jumping genres, rejecting his instrument, battling his demons and returning to music.
IT’S FAIR TO say that Oli Brown’s career hasn’t quite followed the trajectory many expected. Having released his blues debut album Open Road in 2008, six years later he took a hard-left with alt.rock noiseniks RavenEye, but seemed broken by the business when that band split after making a dream start supporting Kiss, Aerosmith and Slash.
Thankfully Brown is back on top with his hard-edged, prog-tinged new band Oli Brown & The Dead Collective, and also has a burgeoning jewellery business.
How pleased are you with your new Prologue EP?
I’m really happy with it. I’ve been sitting on it for quite some time, debating whether or not I really want to go back into the whole music thing again. A couple of years ago, unfortunately I realised music was taking precedence over my mental health. I had to step away and re-evaluate everything.
You’ve said that these lyrics came from “traumatic experiences”.
Yeah. I can only talk loosely about them, out of respect for other people. RavenEye’s demise was devastating because it was my heart and soul. I was also in a situation in my personal life that was causing more damage to my mental health and it pushed me over the edge. I had a bad episode and realised I needed help. I found an incredible therapist, and slowly recognised that doing anything with music was just dragging me further down that hole.
What was your next move?
The only thing that saved me was staying at our drummer Wayne Proctor’s house for a year while I recuperated. I had nowhere to live and I didn’t have any money. My jewellery business [Black Feather Design] wasn’t meant to be as serious as this. It was just meant to take care of me when I was sleeping in Wayne’s spare room. But it kept on growing. Now, we’ve made five pieces for Bloodstock.
Did you keep up playing guitar durin
