Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

From The Bottom Of An Old Grandfather Clock (reissue, 2004) DEAD OCEANS

Black And Blue UMC/POLYDOR

From the bayou to Woodstock and back – the easygoing adventures of Bobby Charles. By John Mulvey.

Mike Patton and the Avett Brothers join forces to create a work of immense beauty.

How Eno-supervised jams and a playful tale of obsessive relationships yielded the Manchester veterans’ biggest hit to date. Just don’t wear those dresses on American TV!