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WE WERE THE first band of our generation that started to grow up,” Billy Corgan says, reflecting on the making of the Smashing Pumpkins’ 1995 grand opus, Mellon Collie and the Infinite Sadness. “The b

At the start of the 1990s, Nick Heyward was at his lowest ebb. His third solo album, I Love You Avenue, had failed to chart in 1988. Warner unsurprisingly let him go. So had Heyward’s manager and his

John Lennon called them “sons of The Beatles”. Axl Rose said there was nothing like them. But how did a trio of Brummies create the progressive orchestral pop rock band who eventually became a global phenomenon following 1975’s breakthrough album Face The Music ?

It began riding the punk wave. It ended in a very loud hellscape.

In 1974, Mike Oldfield defied the critics and hit the top of the UK charts with Hergest Ridge, the ambitious follow-up to his unexpectedly successful debut Tubular Bells . To coincide with the release of the 50th-anniversary edition, the musician, his siblings and collaborators recount the story of an album created by an overwhelmed 21-year-old taking refuge near the Welsh borders.

From a home in England’s West Midlands, to Knebworth and Live Aid with Led Zep and back, via fame, fortune, tragedy and musical resurrection – ROBERT PLANT ’ s come full circle. A new album with local heroes Saving Grace exemplifies his hard rock apostasy, the reason he’d rather worship Nora Brown than hang with Axl Rose. And if all else fails? “I’ll just be an Elvis impersonator!” he tells KEITH CAMERON .