WELCOME BACK
James Bond, Black Sabbath, Slash, white and pink noise? All things that have inspired the new Dandys.
The day after a “rager” playback party in NYC for their heavy, darkly twisty new album Rockmaker, Classic Rock caught up with Dandy Warhols frontman/guitarist Courtney Taylor-Taylor in Montreal at the start of a Canadian tour.
“We’ve immersed ourselves in confit duck and profiteroles here,” he says, noting his gourmand proclivities before discussing the Portland alt.rockers’ twelfth album in a 30-year career.
Rockmaker sounds cheery from the start with Doomsday Bells.
We had a rough couple of years in the US with this cult leader of a president, a caustic and nasty-mouthed man, whipping up hate. Then we end up with Putin as an insane dictator. The last album [Tafelmuzik Means More When You’re Alone] had no songs on it, it was a lockdown soundtrack to a nine-course dinner party. This one is songs, asking: “Why are the stupid people winning, dictating what everybody does?” Except for I Will Never Stop Loving You, a true dark and honest love song, a duet with Debbie Harry.
Your other guests include Frank Black, and, somewhat more surprisingly, Slash. How did he come to be involved?
I was friends with Duff McKagan’s wife before they met. They started dating and we’d run into [GN’R] over the decades. When the track I’d Like To Help You With Your Problem was nearly finished, Peter [Holmström, guitars, keys] and I realised we didn’t have the chops for what we needed. Slash’s style is probably the last of that Vietnam War-era, LSD, wah-wah sound. He heard the song and thought it was fucking awesome. When his part came back it was even better than we expected, really deep and cool.
What was the MO for the rest of Rockmaker’s sound?
Every song had to start with a metal riff, accompanied by shit-tonnes of noise – we’re all people who like random
