WELCOME BACK
They were way ahead of the nu-metal curve, but reckon they still don’t get the respect they deserve.
When P.O.D. formed in San Diego in 1992, the term ‘nu metal’ wasn’t yet even a whisper in the metal world. Nonetheless, the band’s mixture of hip-hop, punk and metal made them forerunners in a scene that would dominate the pop-culture landscape.
Despite the genre’s fall from grace at the turn of the millennium, P.O.D. persevered. Their new album, Veritas, arrives six years after their previous one, 2008’s When Angels & Serpents Dance, and even with the departure of drummer Wuv Bernardo after almost 30 years, vocalist Sonny Sandoval says the band are stronger than ever.
The gap between Veritas and its predecessor is the longest between albums in P.O.D.’s history. What was the hold up?
We were a little bit behind the eight ball because of covid. A lot of bands when they realised they couldn’t tour were like: “Cool, let’s write instead.” But we’re an old-school band, we sit together in a room and we write records.
What does Veritas say about who P.O.D. are in 2024?
You have to grow and change – that’s a part of life. We’re not these teenage kids writing in-your-face ‘this is what I believe’-type songs. But the core will always be the same – P.O.D. comes from a place of gratefulness and of love. Our faith in God will never change.
P.O.D. have always embraced collaborations, and this album is no different. What do you get from working with other artists?
We were one of the first bands to line up multiple collaborations on an album, because we’re hip-hop fans and that’s what they would do. We’ve worked with legends and new talent alike: HR from Bad Brains, Eek-A-Mouse!, Tatiana Shmayluk… the list goes on. It shows our diversity. We can play with the heaviest of bands, or work with a reggae legend.
Were you annoyed at being lumped in
