Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

Squeeze ’s songwriting duo are back in harness, toting a rock opera they wrote in the ’70s with an all-new album to come. Given their near-constant strife, it’s a miracle. But as they insist, “the thing that always brings us together is the songs…”

DENNIS WILSON was The Beach Boys' drummer, pin-up, alcoholic and chaos agent. He may also have been the group's other genius. In this extract from his new book on the band, PETER DOGGETT explores Wilson's tragic decline, and the extraordinary miracle it contained: Pacific Ocean Blue.

Mike Patton and the Avett Brothers join forces to create a work of immense beauty.

Black And Blue UMC/POLYDOR

Fifty years on from their explosive debut single “New Rose”, THE DAMNED have evolved from punk pioneers to national treasures. But as a new album pays tribute to Brian James, their fallen co-founder, bandmates Dave Vanian, Captain Sensible and Rat Scabies – along with sundry eyewitnesses and ne’erdo-wells – recall the volatile beginnings, creative vision and incorrigible spirit of The Damned’s groundbreaking first act. “It was CID, villains and the Captain in a nurse’s outfit,” hears Peter Watts