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With the sounds of The Beatles, Beach Boys and other 60s/70s po
‘Lost Beach Boy’ David Marks looks back on his early days beside the Wilson brothers, injecting rock and surf elements into Brian Wilson’s songs
IN A 1992 Guitar World feature that celebrated the release of Spinal Tap’s reunion album, Break Like the Wind, it was reported that lead guitarist Nigel Tufnel had been, at some point during the band’
DURING THE LAST week of November 1963, the Beatles’ “I Want to Hold Your Hand” was released in the United Kingdom. That same week, a young Brit named Laurence Juber started playing guitar. It wouldn’t
The grand parade of lifeless packaging? Far from it, as this much-delayed blockbuster reissue of one of prog’s most fascinating and frustrating albums finally proves.
The underappreciated rhythm guitarist joins Guitarist to recollect on Brian Wilson’s legacy and The Beach Boys’ impact on 60s surf and guitar culture
WITH THE RELEASE of their debut album, McCartney, It’ll Be OK, English punk rock quartet University are plotting to take the world by storm via sensory overload. Their sound can be described as viscer