He turned down Hendrix, butted heads with Lemmy, was saved from a bad trip by Pete Townshend, present at a thousand pop-culture flashpoints… Ten Years After bassist Leo Lyons explains why he’s like “the rock’n’roll Forrest Gump”.

Thirty years after its release, Billy Corgan looks back at the making of The Smashing Pumpkins ’ era-defining big, bold, bombastic masterpiece Mellon Collie And The Infinite Sadness .

From Black Sabbath awakening to jam band to Hanoi Rocks to decades-straddling solo artist, via Finland, London, NYC and beyond, he’s been up, down and up again, through thrills, spills, triumph and tragedy. You could say he’s really lived the rock’n’roll life, but that would be an understatement.

In 1966, THE VELVET UNDERGROUND AND NICO brought together the worlds of avant-garde art, European cool and downtown rock’n’roll in one explosive package. Sixty years on, the survivors share tales of drugs, breakdowns, burnouts, blocked toilets and hospital beds – and, of course, the creation of some of the most important music ever made. “We only did things our way,” learns Tom Pinnock . “We were arrogant, perhaps, in thinking we knew best. We were also right. We did know best…”

In “a junkyard of surrealistic mayhem”: Adele Bertei ...

Martin Barre MCNIDDER & GRACE