The grand parade of lifeless packaging? Far from it, as this much-delayed blockbuster reissue of one of prog’s most fascinating and frustrating albums finally proves.

With their new album Bleeds refining leader Karly Hartzman’s raw, astute songs about Southern life, WEDNESDAY ’ s path to indie-Americana stardom looks clear. But this triumphant next chapter has been buffeted by behind-the-scenes dramas – not least the breakout solo success of guitarist MJ Lenderman. “There’s been a lot of shakeups this year,” hears Brian Howe

When the worlds of Greta Van Fleet’s Jake Kiszka and alt.folkie Chris Turpin collided, it was musical love at first sight. After a whirlwind romance, new project Mirador was born.

WITH THE RELEASE of their debut album, McCartney, It’ll Be OK, English punk rock quartet University are plotting to take the world by storm via sensory overload. Their sound can be described as viscer

THERE’S A MOMENT that happens between seasoned players when the song stops being a structure and starts being a language. For Austin-bred guitarists Jesse Dayton, Ian Moore and Johnny Moeller, that mo

Every month we get inside the mind of one of the biggest names in music. This issue: Roy Harper . Since the mid-60s, the progressive folk singer-songwriter has enjoyed a successful solo career that’s also found him collaborating with everyone from Pink Floyd and Peter Gabriel to Kate Bush and Ian Anderson. But he’s never quite reached the commercial heights of his peers. As his Final Tour: Part Two fast approaches, he looks back over highlights from his career so far and teases a brand-new album.