Bobbie dazzle

‘Magnifique’, B-side A B-side cut from the first Scissor Sisters album, this track is a manifesto for the band’s approach to pop music. A high-camp and flirtatious description of a handsome piece of t

D avid Bowie’s first album of the 1980s was a milestone record for many reasons. It was his last to be co-produced with collaborator Tony Visconti for more than 20 years, his swansong for RCA and for

Suede Antidepressants BMG The Suede resurgence ...

The grand parade of lifeless packaging? Far from it, as this much-delayed blockbuster reissue of one of prog’s most fascinating and frustrating albums finally proves.

With a flurry of hits and a flair for tapping into the cultural zeitgeist, the globetrotting singer has achieved the status of international icon. In-between stops on her whirlwind tour, she reflects on literature, letting love in and the transformative power of live performance

Tilda Swinton was 12 years old when David Bowie released the album ‘Aladdin Sane’, his follow-up to the monumental ‘The Rise and Fall of Ziggy Stardust and the Spiders from Mars’. When Swinton saw the