Brothers

WITHOUT A SINGLE doubt, the most familiar character in heavy metal, the late Ozzy Osbourne, was presented to the public as a madman, a maniac and a court jester whose life was a constant ricochet from

The grand parade of lifeless packaging? Far from it, as this much-delayed blockbuster reissue of one of prog’s most fascinating and frustrating albums finally proves.

Every month we get inside the mind of one of the biggest names in music. This issue: Roy Harper . Since the mid-60s, the progressive folk singer-songwriter has enjoyed a successful solo career that’s also found him collaborating with everyone from Pink Floyd and Peter Gabriel to Kate Bush and Ian Anderson. But he’s never quite reached the commercial heights of his peers. As his Final Tour: Part Two fast approaches, he looks back over highlights from his career so far and teases a brand-new album.

I’ve just written a book about my life so I have been looking back quite a bit lately. So let’s go back to when I was 16. I was spending all of my time playing guitar during the day, and then at night

IF ONLY HALF the rumors about him are true, Ozzy Osbourne should be dead. Yet, after 21 years of twisted public behavior, the man who brought you songs like “Paranoid,” “Bark at the Moon” and “Childre

IN A 1992 Guitar World feature that celebrated the release of Spinal Tap’s reunion album, Break Like the Wind, it was reported that lead guitarist Nigel Tufnel had been, at some point during the band’