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Bournemouth International Centre
As Dylan’s Never Ending
BOB DYLAN ’ S 18th BOOTLEG SERIES INSTALMENT – THROUGH THE OPEN WINDOW – IS AN AUDIO ANALOGUE TO A COMPLETE UNKNOWN: AN UNFURLING DOCUMENT OF A SEARING YOUNG TALENT IN THE ACT OF BECOMING. BUT BECOMING WHAT? ROCKER? FOLKIE? LOVER? POET? POLITICIAN? DIGGING INTO PREVIOUSLY UNRELEASED MUSIC FROM 1956 TO ’63, MOJO MARVELS AT DYLAN’S FIRST GREAT PHASE ALONG WITH ITS STILL-STUNNED EYEWITNESSES. “IT WAS EARTH-SHAKING,” THEY TELL DORIAN LYNSKEY .
No one notices Bruce Springsteen. He makes no effort to hide—black T-shirt, blue jeans, Wayfarer sunglasses, honky-tonk cowboy boots—but for a few minutes, the most famous son of the Jersey Shore achi
Wilco dynamo’s fifth solo LP is a wildly eclectic triple that celebrates collective creativity and freedom.
IN THE LAST 25 years, Joe Bonamassa has dropped 16 studio records. That’s a lot of music, meaning it’s hard to keep things fresh — and his latest, Breakthrough, despite its title, doesn’t even try to
ROB BRYDON on his rhinestone-encrusted tour around southern America
“MY WIFE HAS enrolled me in a gym, and I have to go lift weights for an hour after this,” chuckles blues guitarist extraordinaire Walter Trout, the 74-year-old survivor of a drug habit and subsequent