The bringing together of The Blow Monkeys and The Christians – both headliners in their own right – unites two acts indebted to late-60s and early-70s soul. For The Christians, the influence of the Mo

For a band who’ve spent the last months playing to thousands in North American venues, it could have felt uneasily sobering to pull up outside Berlin’s Columbia Theater. Just a couple of years short o

London Shepherd’s Bush Empire

From the bayou to Woodstock and back – the easygoing adventures of Bobby Charles. By John Mulvey.

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

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