Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks

‘We’re going to have a tonal centre and tap our feet, and that’s the way it is.’ Steve Reich is in full flow, talking to me from his home in New York. ‘The big break, the knife down the line, was betw

ONE OF THE coolest and most badass-sounding things a guitarist can do is double a long, complex bass line an octave higher. This was my approach for the song “Dean Town,” which I recorded with Vulfpec

Picture the scene: you’re about to get up on stage to give a presentation or performance. Something feels off – you look down, and realise your shirt is missing; in fact, you have no clothes on at all

LAST MONTH, I discussed some of the advantages of playing in a power trio, such as the open harmonic canvas that it affords me as a guitar player. “Threw Me to the Wolves” is a song of mine that prese

Anyone walking down Manhattan’s West 28th Street in the early 20th century would have heard the clanging of multiple pianos – a cacophony that earned it the nickname ‘Tin Pan Alley’. It was the heart