Big orchestral flourishes, memorable themes, expansive action set pieces… These were once a staple of film music, but these days you are perhaps even more likely to hear such things coming from your T

Steven C Smith Oxford University Press 978-0-197-68128-2 312pp (hb) £31.99 Theirs remains one of the most thrilling composer-director collaborations of all time, and while Bernard Herrmann and Alfred

On entering a room containing a piano, what pianist doesn’t turn white at the command, ‘You can play – let’s hear you!’ You thought you were visiting friends, not giving a performance, so of course yo

‘We’re going to have a tonal centre and tap our feet, and that’s the way it is.’ Steve Reich is in full flow, talking to me from his home in New York. ‘The big break, the knife down the line, was betw

Picture the scene: you’re about to get up on stage to give a presentation or performance. Something feels off – you look down, and realise your shirt is missing; in fact, you have no clothes on at all

Renowned concept art studio Athena Productions share their techniques on how they created a terrifying, tension-filled keyframe