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The boundary between sound design and score has blur
The unconventional instrumentation favoured by Tortoise is an indicator of how many different lineups have always jostled for space under the jazz umbrella. The national treasure that is The Pete Alle
After the premiere of his orchestral piece Coptic Light in 1986, Morton Feldman was described by an irate American critic as ‘the most boring composer in the history of music’. Listeners coming to his
CRAFTING AN APPEALING guitar solo for a song is always a creative challenge. There are many different approaches one can take: Do I follow the chord changes so that the notes line up perfectly with th
Some years ago, Colin Matthews – a lifelong Londoner – bought himself a composing retreat on the Somerset/ Dorset borders and half-seriously confessed to fears that the view of cows from his windows ‘
A composer’s idiosyncratic guide to western classical music
Movie posters for the classic 1979 horror film Alien warned us: “In space no one can hear you scream.” And while it’s true that sound can’t travel through a vacuum, it doesn’t follow that the Universe