From The Bottom Of An Old Grandfather Clock (reissue, 2004) DEAD OCEANS

London’s post-punk seismographers pick up more weird vibrations on their third album. By Victoria Segal. Illustration by Cold War Steve.

How Eno-supervised jams and a playful tale of obsessive relationships yielded the Manchester veterans’ biggest hit to date. Just don’t wear those dresses on American TV!

Mike Patton and the Avett Brothers join forces to create a work of immense beauty.

Finding poignancy in the dread and dislocation of modern living, London four-piece DRY CLEANING have garnered admirers including Nick Cave, Grace Jones and Jeff Tweedy. As new album Secret Love refines their nervy post-punk sprechgesang, the band set their sights on new targets. “Art and humour are our main weapon,” they tell Stephen Troussé

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson