Edward VII swept away the cobwebs of mid-Victorian style, Queen Mary had passion for all things small and the Queen Mother bought rather avant-garde art. In a forthcoming talk, Tim Knox, director of the Royal Collection, charts a century of regal taste

Anne Boleyn dropped suggestive hints and Elizabeth I projected undying monarchy through her portraits: Tudor women knew how to use art to send a message, Philippa Gregory tells Carla Passino

The Story of Tudor Art: A History of Tudor ...

Obelisks, pyramids and motifs from ancient Egypt didn’t only influence grand country houses or powerful Biblical paintings, but also shaped tea-ware, cinemas and even factory floors, as Michael Hall reveals

Whether it is adding contemporary paintings to a gallery of Old Masters or branching out into territories as diverse as Modernist chairs, Iranian tiles or Churchill memorabilia, the passion for collecting seems to run in some families, as Eleanor Doughty discovers

Charles II visited Norfolk in September 1671, accompanied by other members of the royal family and a large retinue of gentlemen and servants. Royal visits were a great rarity in the 17th century, as w