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Guilhermina Suggia turned heads. Born in Portugal in 1885, she was a child
Broadcaster and biographer Humphrey Burton became familiar to millions of television viewers in the early 1980s as the genial presenter of the BBC’s Young Musician of the Year, the programme he launch
The most sensual pictures of women sprang from Ovid’s verses, the Aeneid gave Turner his longest-lasting subject matter and Edward Burne-Jones saw himself in Arthur’s deathless slumber. Carla Passino explores how literature influenced art
Exaggerating her beetling monobrow and wispy dark moustache in self-portraits, the artist Frida Kahlo was a female force to be reckoned with, unafraid to pour her heart onto the canvas. Only last autu
Francesca Tancini Walter Crane Books in colour 856pp (two volumes). Yale University Press. £250 (US $325). “Nothing is dearer to the heart of a commercial age than a label”, Walter Crane declared towa
There is much to admire in Andrew Graham-Dixon’s study of Vermeer—but not its tendency to overinterpret the old master’s work “Johannes Vermeer is the most laconic of the Dutch old masters,” Andrew Gr
Michaelina Wautier is one of the most compelling rediscoveries in Baroque painting. Working in 17th-century Brussels, she tackled subjects usually reserved for men, producing still lifes, portraits an