Sisters of the brush

With a strength of character that belied her fragile looks, Élisabeth Vigée Le Brun pushed the boundaries of royal portraiture and, after the French Revolution, challenged the loss of female influence via every frill and fold in her work

Anthony Lawrence, a New Forest artist, painted everything from Dante’s Inferno to portraits of Ian McKellen and Yehudi Menuhin. This October, Palais des Vaches presents the first major retrospective o

There are many reasons that an artist’s ambitions can be thwarted, including the decision to become a teacher. Later this month, an exhibition will shine a light on talent obscured by a career in the classroom

BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water

I’VE BEEN DEVELOPING A PORTRAIT STYLE of painting that combines realistic female characters in surrealistic backdrops. The women are usually built through a collage-style process; borrowing eyes, nose

WITH more than a hint of nerves, I slide into an empty seat in the auditorium for my first university lecture. I look down the aisle hoping to see a friendly face, but there is no-one I recognise, whi