Ripe for rescuing

2 min read

Town & Country

Far left: Bramcote Tennis Pavilion, Scarborough.
Above: Kursaal Palace, Southend, where AC/DC played (left)

IN 1904, when the first £1 million cheque was signed in the Cardiff Coal Exchange, no one could have imagined that, 120 years later, the French Renaissance-inspired building would be falling into ruin. It now numbers among the Victorian Society’s latest Top Ten Endangered Buildings, announced today.

‘The Coal Exchange is Cardiff,’ laments society president Griff Rhys Jones. ‘It symbolises the power that built this city and the story of King Coal. Not only that—it is loved. Both as a building and a very successful hotel. It has been structurally damaged by foolish plans to modernise, but is not irreparable and the society is demanding that a proper plan to care for one of Wales’s most important 19th-century buildings gets on the table.’

Kennington Boys School in Lambeth, SE5 has also been named. It was the first posting for Testament of Youth author Vera Brittain as a VAD (Voluntary Aid Detachment) nurse; serving there, she wrote her poem A Military Hospital and she described it as ‘one of the few distinguished buildings in the dismal, dreary, dirty wilderness of south London’. Owned by the Lambeth council, the school is not weathertight, it is water damaged, has been on the Historic England At Risk Register since 2016 and its condition was most recently described as ‘very bad’.

Southend-on-Sea’s Kursaal Palace in Essex —with a tower some might recognise from a 2011 postage stamp—is an East Anglian landmark, created by George Sherrin, the architect responsible for finishing the London Oratory’s dome. Thought to be the world’s first purpose-built amusement park, with, once upon a time, a circus, ballroom, arcade, dining hall, billiard room, zoo and ice rink (and, later, a casino and bowling alley), its only occupant is now a Tesco Express. The outdoor space, long since sold off for housing, was substantial and used to host Southend United football games, ‘Wall of Death’ motorcycle rides and greyhound races. Before it was demolished, the ballroom resounded with big dance band music of the 1920s, as well as Queen, Mott the Hoople, Ozzy Osborne and Black Sabbath, Deep Purple, Thin Lizzy, Dr Feelgood, John Cale + The Boys, Cockney Rebel and AC/DC. ‘It’s an exhilarating building,’ says Mr Rhys Jones. ‘It has more embedded val

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