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Toxic, dull or fast-fading pigments had long made it tricky for artists
Emotionally there is something calm about the colour green. Summer lawns, picnics on the grass, a walk in the park, leaves of so many shades of one colour on show in nature; it soothes the soul. Yet,
Claude Monet and Camille Pissarro spent time in London, but it took James McNeill Whistler to act as artistic bridge with Britain and the ‘sweetened’ Impressionism of Jules Bastien-Lepage to inspire most homegrown painters, says Caroline Bugler
French artists have appropriated alfresco dining ever since Édouard Manet scandalised Paris with his Le Déjeuner sur l’herbe , yet many charming scenes were painted in Britain, too, and are worth rediscovering, says Deborah Nicholls-Lee
Awarded The Artist prize at the annual Royal Institute of Oil Painters’ (ROI) exhibition, self-taught Belgian artist, Valérie Pirlot works predominately in the great outdoors. Depicting the essence of
Gouache is a versatile, opaque medium providing great covering power and the ability to correct errors very easily. The range of colours is relatively small compared to other media, but gouache colour