John P. Murphy New Deal Art 336pp. Thames and Hudson. Paperback, £19.99. Seymour Fogel’s “Wealth of the Nation”, installed in 1942 in a federal building in Washington DC, depicts a group of workers en

John Piper was a modernist who rejected Modernism, a versatile artist who defied categories, but one who remained true to the spirit and detail of the places he painted

“This tremendous aggregate of a book has many of the characteristics of a Festschrift assembled to honour some Great Influencer”: so, in 1973, the architectural historian Priscilla Metcalf began the f

Had Robin Holloway published Music’s Odyssey—described by its author as “an invitation to the glorious long voyage of Western classical music”—30 years ago, he might well have got away with it. By day

England in the 18th century had no love for its landscape, preferring instead Italianate views, until George Stubbs came and decided to paint his horses true to the setting in which they lived, as Bendor Grosvenor reveals

The beauty of Lancashire’s Lune valley emerges from ...