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WHEN the curtain fell on the premiere of Rodelinda on February 13, 1725, its c
Theatres offered something for everyone in the 19th century, presenting recitals and opera, Shakespearean plays, or lively mixed programmes of comedy, song and dance that attracted enthusiastic – and
Leigh Lawson has embraced acting and poetry with the same determination that sustained Marie Lloyd, the music-hall queen whose memorabilia he collects, as Carla Passino discovers
‘I felt that I should like to kiss the hands that had awakened a new world of music for me.’ The year was 1888, the occasion was the Paris debut of a 27-year-old pianist named Ignacy Jan Paderewski. A
EXHIBITION Zandra Rhodes: A Life in Print In ...
Welcome to the Charles Jessop Theatre.” Lysette nervously eyed the group of drama students gathered in the foyer. She didn’t feel ready to lead her first guided tour. She’d only been at the theatre a
Yet, given the dark and often introverted nature of the concerto, it’s hardly surprising that Shostakovich kept the work under wraps for so long, feeling that programming it was inadvisable until the