The call of the wild

Painting wildlife is beset with difficulties not often experienced with other genres. This style of painting can be divided into many categories. One of the problems of painting wildlife is that anima

For wildlife photographer Federico Veronesi, tracking down ‘tuskers’ became all-encompassing. He tells Graeme Green about it

Carlo Bugatti believed that any object could be a work of art, paving the way for his children, elegant Rembrandt and genial Ettore, to sculpt supple, predatory panthers and craft automotive masterpieces. Charles Harris traces their lives

Can’t get out on safari? Let the wildlife come to you with these beautiful books. Amy Davies selects some recent releases for your shelf

Elephant colours Paynes Grey, Ivory Black, Alizarin Crimson, Burnt Umber, Cerulean Blue, Titanium White. Background colours Burnt Umber, Alizarin Crimson, Prussian Green, Titanium White, Cadmium Green

“PAINTING TRANSPORTS ME INTO ANOTHER DIMENSION which, quite literally, refreshes parts of the soul which other activities can’t reach.” For King Charles III, art has always been profoundly therapeutic