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Italian painter and Renaissance bad boy Michelangelo Mer
Johannes Vermeer brightened his native Delft with luminous pictures of women caught in intimate moments, but the serenity of his work, of which he produced remarkably little, is at odds with a life mired in debt, as Carla Passino discovers
John Constable painted Salisbury Cathedral and Leadenhall from ...
I absolutely love this painting; it is so intriguing and there is so much to look at. Apart from the quality of the painting itself and the awe-inspiring brushwork, the subject matter and intensity of
Andrew Graham-Dixon tells Carla Passino why he thinks we have read Vermeer wrong all along– and who the Girl with a Pearl Earring really is
The gargantuan, bewildering Louvre