A restless talent

With a strength of character that belied her fragile looks, Élisabeth Vigée Le Brun pushed the boundaries of royal portraiture and, after the French Revolution, challenged the loss of female influence via every frill and fold in her work

From the smoke-blackened ‘engine room of the Empire’ came a group of radical artists that stripped art of heroism and sentiment and took the world by storm. Mary Miers traces the history of The Glasgow Boys

A balletic counterpart to histories of royal women as whores or virgins

When COUNTRY LIFE’s Henry Avray Tipping spotted a 17th-century four poster languishing in a Herefordshire attic in 1911, he set off a chain of events that saw the bed leave its ancestral home and land at The Met in New York

Anthony Lawrence, a New Forest artist, painted everything from Dante’s Inferno to portraits of Ian McKellen and Yehudi Menuhin. This October, Palais des Vaches presents the first major retrospective o

BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water