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From the smoke-blackened ‘engine room of the Empire’ came a group o
The Yellow Boy by Joshua Reynolds saw multiple peregrinations, passing even through (Romanian) royal hands for a time, before returning to London in 1981. It now headlines a selling exhibition of magnificent 18th to 20th-century works
The piece I’d never part with
So close was Jean-François Millet to the humble peasants he painted that he wore clogs and coarse clothing. He was steeped in nostalgia, yet inspired avant-garde artists from van Gogh to Salvador Dalí, finds Mary Miers
Avoiding the curse of the figurative
JEAN-FRANÇOIS MILLET ONCE SAID, “I am a peasant amongst peasants.” It summarised the French painter’s empathy with rural communities working on the land. They became the subjects of his remarkable dra
Documentary photographer Richard Cross rises above the shortbread tin romanticism that colours so much of our outdoor heritage, with the perspective provided by drone photography applied to land use issues of our day