The summer of 1791 was an exceptionally busy period, even by Mozart’s habitually hardworking standards. He was, to begin with, composing a new opera, Die Zauberflöte (‘The Magic Flute’). Then, in June

Joseph Haydn looked every bit the European celebrity on the night of 4 May 1795. Newly opened in 1791 after a fire, the King’s Theatre glowed in the brilliant flicker of candle chandeliers. At the fro

Over a long career, John Hardman has specialised to great effect in teasing out, from speeches, decrees, minutes, memoranda, letters, diaries and unsent drafts, the varied moods of French political de

On one level he seems so direct, so simple, so uncomplicatedly appealing. Schubert could turn on heart-lifting melody with the same ease that most of us would turn on a tap. Often he seems happy just

However highbrow we think we are, we’ve all been guilty of it – that is, sitting in a concert or opera and waiting impatiently for ‘the famous bit’. In some instances, that well-known moment may be ju

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