Andrew jefford

3 min read

UNCORKED

‘Serious wine glasses are intimidating: they’re a prelude to silence and endeavour’

The Alsace town of Riquewihr was where I found them. Amarch up the cobbled Rue du Général de Gaulle, past the coloured, half-timbered houses, to a shop called L’Aventure. Not misnamed: it was chaos in there.

The wine glasses I wanted were hiding in a dusty, half-open cabinet in the basement, and had no price. The shop assistant superintending the ground-floor bazaar was foxed; he phoned the owner. Fifteen euros each, came the answer; I settled. Squat, with an olive-green beehive stem, and the small bowl elegantly engraved with bunches of grapes, vine leaves and curling tendrils. You fill them almost full, of course. Silly glasses. Gloriously silly.

Don’t I know better? Shouldn’t I be saving for Riedel Superleggeros, or Zalto Denk’Arts? Even Bestheim, Alsace’s largest cooperative, is wagging its website finger at me: ‘Alsace wines are often served in glasses with green stems. This kind of glass is not, however, ideal. It is too small to oxygenate the wine and the green-coloured stem interferes with the wine’s true colour.’ Yes, I know, and yes, I won’t be organising any professional wine tastings with these clumsy, dinky-chunky little glasses. But I still love them. We still use them. To drink with.

Genuine antique wine glasses might be better. I don’t have any, but I once had a friend who did. Goblets, balusters and coupes through to faceted stemware and the astonishing air-twist glasses, in which a bubble of air is spun by glass-blowers’ magic into spiral patterns the length of the stem: there’s enough choice, craft and creation to set dozens of cabinets shimmering. The cabinet, though, says it all: antique value discourages use. I saw one of my friend’s balusters broken by a guest I’d invited, and I’m still recovering from the trauma. Breaking a €15 beehive is a shame, but not a trauma.

What’s the attraction? The escape from earnestness is one. Serious wine glasses are intimidating: they tell you there’s work to do, and you damn well better be up to it. They’re a prelude to silence and endeavour, culminating in the humiliation of your (or my) pathetic attempts at blind identification, which is never the point of wine. With a squat goblet or plain baluster filled close to the brim, you can forget all that and just settle down to candlelit enjoyment, friendship, savour and story-telling: the point of wine.

Ample sensual enjoyment is still on offer. Sipping from small glasses emphasises retronasal aromas, those that rise from your tongue as the wine warms. These may be a truer test of a wine’s aromatic soul than swirling it rou