Rolling in the deep

4 min read

UNDERWATER

How to get started in underwater photography, by Ross McLaren

10 things you can shoot, edit or create this month, from capturing waterfalls to rutting deer and ball games

Underwater photography requires specialist equipment, including a camera housing and waterproof lighting – not to mention your diving gear. Nobody said this was going to be a cheap pastime!
The natural beauty on land is well known, but there’s a whole new world beneath our waters, which offers photographers a cacophony of colours, as seen on this barrel jellyfish.

I would love to say that photography has been a passion of mine from an early age, but it’s actually something I’ve fallen into by mistake. It’s a case of one expensive pastime leading to another expensive pastime, neither of which I had ever planned to take quite so seriously.

Seven years ago, I started diving on the west coast of Scotland in preparation for visiting Australia’s Great Barrier Reef the following summer. My wife and I decided to do our diving qualifications before we left, so we didn’t have to spend our holiday time in a classroom.

Sadly, the trip down under didn’t happen, but it opened up a whole other side of Scotland for us. From the first time I put my head beneath the water of Loch Long, I was absolutely blown away by the abundance of life down there. I had no idea there was such a cacophony of colours lying just beneath our grey, dreich waterline.

Scotland’s natural beauty is well known, but beneath our waters is a world that remains unseen by so many. After that first dive, I decided to start making videos to show friends and family – whether they were interested in seeing it or not! Little did I know that having fallen in love with one new pursuit, another would soon follow.

Ross

Ross’s five tips for better underwater photography

A hermit crab, shot in Loch Long, Scotland;
Ross McLaren

1 Learn camera skills on land

Having upgraded to an Olympus OM-D E-M1 Mark II and a 30mm macro lens, I realised I’d invested a lot in kit, but nothing in my own ability, so I started a class at night school. Photographing a model in a studio might not seem the same as shooting a crab in a cold Scottish loch, but it’s still about finding the right settings and lighting for the subject. I took my underwater housing to the class and used the camera inside it for our shoots so I could get comfortable with changing settings in the bulky housing. It made such a difference when I started doing it underwater.

Pachycerianthus multiplicatus or Fireworks Anemone, in Loch Long;

2 Choose the right lighting

Lighting plays a vital role – especially when working in murky waters where visibility can be just one or two metres. Starting out, I’d keep things as simple as possible. Source a video light of around 3000 lumens; yo

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