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4 | PORTRAITS 3
Wendy Evans explains how to use fill-flash to r
Still raining outside? Then it’s time to get creative with overlay shooting modes and Wendy Evans
Wendy Evans reveals the world of brush selections and layer masking in Affinity Photo 2
This month: Improve composition Compose yourself for photographs that are worth looking at more than once
James Abbott mimics shooting, editing and even darkroom effects in Photoshop to give his shots a creative finish
A few settings can make a big difference.
Charlotte Beutler’s still-life photo comes under our microscope