Still raining outside? Then it’s time to get creative with overlay shooting modes and Wendy Evans

To create this image, I scattered neon yellow ...

James Abbott mimics shooting, editing and even darkroom effects in Photoshop to give his shots a creative finish

Master creative use of long exposure to capture the dynamics of nature, says Karolina Konsur

Benedict Brain searches his archives for the inspiration to escape winter’s creative doldrum

Wendy Evans reveals the world of brush selections and layer masking in Affinity Photo 2