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AFFINITY PHOTO 2
Wendy Evans stands by th
Concluding our tutorial series on PhotoLab 8, Wendy Evans looks at raw batch processing
Digital images start out in colour, but there are ways you can use this to create even more compelling black & images.
How to adjust the hue, saturation and brightness of specific colours
Sean McCormack gives a long-lost shot a glow-up in Lightroom
With more precise control than other tools, Curves Adjustment Layers are the unsung heroes of Photoshop, says James Abbott
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