Wendy Evans reveals the world of brush selections and layer masking in Affinity Photo 2

James Abbott mimics shooting, editing and even darkroom effects in Photoshop to give his shots a creative finish

Digital Camera readers show how they’ve been getting creative, submitting images across a range of genres

Still raining outside? Then it’s time to get creative with overlay shooting modes and Wendy Evans

Charlotte Beutler’s still-life photo comes under our microscope

Wendy Evans goes through the techniques required to shoot train stations after dark, when metering the variable light is a challenge