James Abbott mimics shooting, editing and even darkroom effects in Photoshop to give his shots a creative finish

This month: Improve composition Compose yourself for photographs that are worth looking at more than once

Charlotte Beutler’s still-life photo comes under our microscope

To create this image, I scattered neon yellow ...

Still raining outside? Then it’s time to get creative with overlay shooting modes and Wendy Evans

Wendy Evans reveals the world of brush selections and layer masking in Affinity Photo 2