Pete Jobsonoffers insights into his career and photographic approach to portraits
How did your photographic journey begin?
I really started to show an interest in photography back in 2015 on a trip to New York City. I owned a Canon 1300D at the time so took it along with me and started capturing iconic locations and scenes – the Chrysler Building, yellow taxis and steam pipes – you name it, I shot it. However, the photos weren’t how I envisaged them. That was when I decided to look into photography in depth, learn how to use my camera properly and find out what makes a ‘good’ photo.
From 2017 to 2020, I was a street photographer and I used this time to hone my skills. I learnt that I enjoyed taking photos of people but something wasn’t quite right and I couldn’t figure out why I wasn’t loving it. Then I discovered the work of a master of photography, the late Erwin Olaf. In an interview, Olaf explained that he used to take street photos but he was always left with that feeling of ‘I wish the light was different here, I wish they were wearing this, I wish I could move this here’. Eureka! That was what was missing from my work.
I wanted to be in control and create my own art, in my own way. That’s when I began to get into the studio and start using strobe lighting and working with teams and models. From there, portraiture has captured my heart and I owe all that to Erwin Olaf.
What is your favourite portrait style?
Right now, it’s fashion editorial – the creativity is limitless. I’m currently enjoying the revival of 90s and Y2K aesthetics in photography and media. It’s a time I lived through as a teenager so it’s great for me to feel the nostalgia and romanticise that era in photography.
How difficult is it to establish your own photo studio in London?
I think it’s every photographer’s dream to own their own studio but it has never been cheap, which is why many photographers hire out
5EASY PORTRAIT STYLES
their studios. To make it affordable in London, rent your studio out to other photographers when it’s not in use. Alternativ
