Craft lighting and exposure

Light is photography’s raw ingredient, so James Abbott explains four ways to adjust the luminance using Photoshop

The earth’s atmosphere affects the appearance of distant objects, which is referred to as atmospheric perspective. Things further away are less distinct. Their colour takes on bluish notes as they als

Let’s play with Photoshop’s hue, saturation and colour tools, says James Abbott, for four effects that work with most images

Capturing night-sky objects comes with its fair share of challenges. How you handle them can make the difference between a good image and a great one. Sometimes, when everything conspires against you

Photographing a single subject repeatedly can be just as rewarding as chasing ‘ticks’, writes Rob Read

In this fourth part of our guide to PhotoLab, Wendy Evans looks at the colour options