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No tilt-shift lens, no problem thanks to Transform
This month: Improve composition Compose yourself for photographs that are worth looking at more than once
Using Lightroom, Sean McCormack shows how it’s done
Master creative use of long exposure to capture the dynamics of nature, says Karolina Konsur
James Abbott mimics shooting, editing and even darkroom effects in Photoshop to give his shots a creative finish
Digital Camera readers show how they’ve been getting creative, submitting images across a range of genres
Wendy Evans reveals the world of brush selections and layer masking in Affinity Photo 2