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Monochrome portraits are a great way to highlight the eye
Wendy Evans reveals the world of brush selections and layer masking in Affinity Photo 2
James Abbott mimics shooting, editing and even darkroom effects in Photoshop to give his shots a creative finish
This month: Improve composition Compose yourself for photographs that are worth looking at more than once
Benedict Brain searches his archives for the inspiration to escape winter’s creative doldrum
Dan Mold explains how to add this effect to your images using Photoshop or Elements
Wendy Evans explores the power of masked layer effects in our ON1 Photo RAW MAX guide