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Linda Wride explains how she uses amulti-exposure technique to blend subjects an
‘The real subject of every painting is light.’ CLAUDE MONET WHENEVER I’M PAINTING A PIECE, I am constantly appraising each movement, blend and nuance along the way. When you break it down, the number
Learn how to create double exposure images in-camera, with Wendy Evans
When everything comes together, there’s no better feeling, as Michael Topham experienced in Croatia
Spotlight on readers’ excellent images and how they captured them
Extremes in dark and light are effective tools in creating punchy focal points. I have painted lots of sunny, acrylic street scenes – mainly backlit – and really enjoyed dabbing in the sparkly highlig
SOMETIMES THE INSPIRATION FOR YOUR NEXT PAINTING can be right in front of you – literally. Trying to find the correct subject with great lighting and composition is quite an art: a lot of images won’t