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Fine art POTY, Paul Szimák, discusses his painterly imagery with ame
I knew at a very young age I was an artist. It was a calling for me. I was also fortunate to have a mentor in my teenage years; he was an accomplished artist and professor of art at a local college. H
I’VE BEEN DEVELOPING A PORTRAIT STYLE of painting that combines realistic female characters in surrealistic backdrops. The women are usually built through a collage-style process; borrowing eyes, nose
BEFORE SARAH JANE BROWN BECAME A PAINTER, she learned to read the sea. Not in the romanticised, windswept sense; but practically, viscerally, day after day. With over two decades working on the water
LUCIA LEYFIELD IS NOT AN ARTIST prone to grand statements. Her work speaks in subtle tones: sketchbook pages filled with weathered doorways, overheard conversations or fragments of wild gardens. A let
A new book of bird photography celebrates not only the avian world, but the photographers using creative techniques to produce original artworks, from characterful studio portraits to eye-catching abstracts, writes Graeme Green
I want to pass on my expressive approach to painting still lifes from observation using mixed media. I find this way of working freeing and fun. When a painting is started with an attitude of freedom