The making of . . . splinter cell: chaos theory

Behind the scenes of your favourite soundtracks

Setting the stage Tanya Combrinck discovers how artists build tone and weave emotion into narratives

Alan Wen speaks to three concept artists about the varied and iterative processes that make up one of the most misunderstood crafts in the game industry

How a modest team of Dubliners elevated the art of game physics

DECEMBER 2008 – Tired of scavenging through devastated ...

THE RISE OF DISNEP GAMES THROUGH THE EIGHTIES AND NINETIES