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The London-based producer talks saxophone, vocal sampling and his latest EP
STUDIO TALK +
London’s post-punk seismographers pick up more weird vibrations on their third album. By Victoria Segal. Illustration by Cold War Steve.
From The Bottom Of An Old Grandfather Clock (reissue, 2004) DEAD OCEANS
Sun Triptych Maxim Rysanov, Dasol Kim, Roman Mints et al; BBC Concert Orchestra/ Dobrinka Tabakova ECM 4878558 64:61 mins This is the second ECM disc to feature the extremely accessible music of Bulga
Mike Patton and the Avett Brothers join forces to create a work of immense beauty.
For over 50 years, BEVERLY GLENN-COPELAND has been a secret master of spiritual electronica, receiving inspiration from a “higher power” to provide healing songs for the disenfranchised. Now, he and his wife face long-deserved acclaim and grave new challenges with equanimity. “I can’t explain it, but I feel joyous,” he tells VICTORIA SEGAL .
Squeeze ’s songwriting duo are back in harness, toting a rock opera they wrote in the ’70s with an all-new album to come. Given their near-constant strife, it’s a miracle. But as they insist, “the thing that always brings us together is the songs…”