The next chapter

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Tasked with creating a beautiful new home for a downsizer, one east-London studio pulled out all the stops with this garden flat

Living room Poul Kjærholm’s ‘PK22’ chair for Fritz Hansen and a ‘Billy’ chair from By Lydia flank the fireplace, which is from Chesneys. Bespoke joinery by Studio Skey fills both alcoves, with Tom Holden’s Enea Series 07 artwork, sourced from MAH, on the chimney breast. In the centre of the room hangs the ‘Margin’ pendant light by John Astbury for New Works, with Nemo Lighting’s ‘Lampe de Marseille Mini’ on the wall to the right. The rug is Jennifer Manners’ hand-knotted merino wool and silk ‘Beverly’ design, and the cocktail table by the window is from Alexander Lamont + Miles
PHOTOGR APHY TARAN WILKHU
Portrait Studio Skey founders (from left) Sophie Scott and Georgina Key in front of Charles and Ray Eames’ screen for Vitra. The throw on the custom sofa is the ‘Gentle’ design from The House. Throughout these rooms, the light-oak herringbone flooring is from Ted Todd
Office The ‘Marta Sala S2 Murena’ chair from Alexander Lamont + Miles sits with a floating oak desktop, which holds a ‘Plissé’ lamp by Folkform for Orsjö Belysning, the ‘Dune’ rug is from Hem and the picture is a 20th-century abstract by an unknown artist, sourced by Francesca Whitham

Studio Skey was working on a project in leafy Wanstead when its next client spotted the interiordesign studio’s construction sign outside. She was downsizing from a house nearby and needed someone who shared her vision to transform the unlovely garden flat she was buying, which had great bones but, unfortunately, not much else.

‘Our brief was to create something beautiful,’ says Studio Skey co-founder Georgina Key. ‘A place that would make up for no longer having the large home that she and her late husband had created and their children had grown up in.’ Luckily, the two women’s tastes aligned perfectly. ‘She wanted something minimalist, modern, comfortable and feminine, which is our dream brief and why we consider it one of our favourite projects,’ states Georgina.

The flat had been clumsily modernised with questionable changes, including raised flooring levels. ‘We thought they must have been hiding pipework but, after demolition, we discovered they were purely a design decision,’ Georgina recalls in disbelief. Given the lower-ground-floor position, maximising natural light was a priority. Georgina and her co-founder Sophie Scott’s first move was to close up the ‘Jack and Jill’ entrance to the open-plan kitchen/ living space, replacing it with glazed double doors and a glass fanlight, and adding a large internal window between the living room and hallway.

Tactility and comfort were key when it came to the materials palette and, once they had sourced some limestone chequerboard tiles, e

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