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THE CRIME MASTER PIECE
GREAT SCOTT, IT’S ABEL GANCE’S SILENT EPIC
SOME DAYS IT SEEMS WE LIVE IN A HORRID WORLD where most humans couldn’t give a fig about art. How many people in that world are going to care about a 65-year-old black-and-white movie—one that, for an
A war of nerves
Robert Hutton on Cinema SAM TAYLOR/NATIONAL THEATRE ● ...
Capturing the immediacy of fighting and the writhing bodies of soldiers, as well as keeping narrative clarity, proved enormously difficult for painters depicting battles before the advent of photography. Michael Hall reveals how they rose to the challenge
Clint: The Man and the Movies Shawn Levy ...
Cezanne 25 at Aix-en-Provence