All the right moves

HOW A CAREER CRIMINAL PULLED SHANE BLACK BACK TO FILMMAKING WITH PLAY DIRTY

STEPHEN KING’S STORY THE RUNNING MAN IS ABOUT A GUY RISKING HIS LIFE ON LIVE TV. AND, AS THE ALWAYS KINETIC EDGAR WRIGHT AND HIS QUICK-WITTED CAST TELL US, THEIR NEW SPIN ON IT HAS NO INTENTION OF STANDING STILL

AGAINST A BACKDROP OF DISASTER AND DEVASTATION, THE LOST BUS TELLS AN UNBELIEVABLE TRUE STORY. THOSE BEHIND IT DETAIL AN INTENSE FILMMAKING MISSION

DIVING INTO DINAMIC SOFTWARE’S PUNISHINGLY DIFFICULT NAVY MOVES WAS NOT FOR THE FAINT OF HEART BUT ITS CHALLENGING MIX OF FAST-PACED WATER ACTION, FRENETIC SHOOTING AND A DOLLOP OF DERRING-DO HAS HELPED TO MAKE THIS SPANISH GAME SOMETHING OF A CULT FAVOURITE

STOP ALL THE CLOCKS

FINAL DESTINATION BLOODLINES DIRECTORS ZACH LIPOVSKY AND ADAM B. STEIN ON THAT BRAVURA OPENING SEQUENCE