“between the poles of slavery and being the potus are a million stories we haven’t told”

From his unnerving shorts to his three previous feature films (Hereditary, Midsommar, Beau is Afraid), Ari Aster is no stranger to controversy, but Eddington, his neo-western set during the height of

HAVING LIVED WITH TOURETTE’S SINCE HIS TEENS, LATER BECOMING A CAMPAIGNER, JOHN DAVIDSON HAS ALWAYS BEEN AN UNRESTRAINED FORCE. ACCORDINGLY, THE I SWEAR TEAM PULLED OUT ALL THE STOPS…

THE ACTOR’S EMOTIONAL DEPTH ON SCREEN HAS SKYROCKETED HIM TO THE TOP OF EVERY DIRECTOR’S WISH LIST. NOW, WITH TWO NEW FILMS ON THE HORIZON – A HEIST THRILLER AND A REMAKE OF A SHAKESPEARE CLASSIC – HE REFLECTS ON HIS UNSTOPPABLE ASCENT

AGAINST A BACKDROP OF DISASTER AND DEVASTATION, THE LOST BUS TELLS AN UNBELIEVABLE TRUE STORY. THOSE BEHIND IT DETAIL AN INTENSE FILMMAKING MISSION

Reminiscences Joe Brainard I Remember 208pp. Daunt. ...

ONE OF THE MOST HE’S CEMENTED HIMSELF AS EXCITING ACTORS AROUND. NOW, AS HARRIS DICKINSON UNVEILS HIS DIRECTORIAL DEBUT, HE TELLS US WHY HE KEEPS PUSHING THINGS FORWARD